-Finally, after three years of watching mostly one episode a week, I have finished my re-watch of all seven seasons of Star Trek: The Next Generation (season seven trailer)! I am thrilled to present my final entry here chronicling my adventures with the crew of the Enterprise! For the final season I was able to slightly bump up my viewing habits and mostly stuck to watching two episodes a week, and thus I was able to make faster progress on this final season! Somehow, my horrendously outdated Samsung Galaxy S7 phone has managed to barely limp along this entire journey with me, and the gloriously awful pics featured throughout this article are courtesy of that wonderful device.
-Season six wrapped with an enticing cliffhanger to “Descent” where Lore managed to work some sinister sorcery to recruit a squadron of Borg and hack into the code banks of Data (Brent Spiner) in order to recruit him to join his cause. Season seven had a great kickoff to resolve this new threat, and had a satisfying conclusion at putting an end to Lore once and for all. I would rank “Descent” on the higher end of TNG two-part arcs, as the Lore/Borg/Data combination proved to be an intriguing antagonist to see how they would be dealt with.
Picard is ready for combat on the left, while falling ill on the Enterprise leads to crew members tripping with some wild illusions on the right!
-I was a little bummed to see a complete lack of appearances from Whoopi Goldberg in her role as Guinan in the final season. I am presuming it must have been scheduling conflicts as she has always been in high demand, especially around this time just a couple years after her Oscar win for Best Supporting Actress in Ghost. Whoopi would return as Guinan in two of the four Star Trek movies based on TNG cast.
-A pair of recurring characters that did return for their final episodes this season are Michelle Forbes as Ensign Lt. Ro Lauren and Wil Wheaton as Wesley Crusher. Ro is fresh off tactical training for an important undercover mission that conclusively decides her fate with Starfleet as she would never appear in another Star Trek series or film again after this. According to my research I was surprised to learn it took a last minute agreement with Forbes within a week before filming to get her to reprise her role as she was starting to distance herself from the brand after initial plans to make her a mainstay on Deep Space Nine fizzled. Wesley Crusher’s final appearance had a better payoff in “Journey’s End” where during a vision quest he finally is deemed ready by a previous guest character, The Traveler (Eric Menyuk), to join him on a mystical journey to see Wesley fulfill his supernatural potential. I had no idea they were going to payoff these vague promises The Traveler alluded to in Wesley way back in season two, so big props to the cast and crew making that happen!
-Other past recurring characters returned, but only to see them casted in middling-to-disappointing episodes. This is the case for Reginald Barclay (Dwight Schultz) in the head-scratching “Genesis” episode that has the Enterprise staff fall victim to a virus that de-evolves them into various primates. The love-or-hate mother of Deanna Troi (Marina Sirtis), Lwaxana (Majel Barrett), has a major sendoff in her final episode where we learn all about her tragic backstory.
-Speaking of mediocre episodes, season seven has a bit more than previous seasons. A two-parter sees Riker and Picard go undercover to form a fake mutiny to sniff out a Vulcan double agent, and while it is not terrible by any means, the whole arc seems bloated and the second episode feels unnecessary. “Phantasms” is as bizarre as the dreams Data (Brent Spiner) has in the episode, but Data later has a redeeming character episode in “Inheritance” where he meets his mother…..then later hits another stumble in “Thine Own Self” where his radioactive experiments causes a planet’s population to become seriously ill. I will give season seven the benefit of the doubt for the noticeable bump up in lackluster episodes because several of the bonus interviews own up to this and attribute it to the cast and crew being spread thin with the final season of TNG, the second season of Deep Space Nine and being in pre-production of the first season of Voyager and the upcoming movie with the TNG crew, Generations.
-The holodeck’s sendoff in TNG, “Emergence” is a decent affair that sees the crew go aboard the Orient Express to solve the mystery of how the holodeck becomes self-aware. The episode had a few promising moments, but could have been better. While I enjoyed the quality of holodeck episodes overall in TNG, from what I understand the holodeck episodes greatly suffer going forward and falls victim to holodeck malfunctions and sexual fantasy tropes.
Worf once again has a strong set of character-focused episodes this season. You have not lived until witnessing Worf adopt a cat for an episode, and experience a birthday party time-loop.
-Worf (Michael Dorn) has one of the strongest slate of character episodes this season. Seeing Worf being a curmudgeon at his birthday party was pulled off to perfection! “Homeward” is a feel-good family episode where Worf resolves his rocky relationship with his foster brother, Nikolai (Paul Sorvino). The best Worf-centered episode is saved for last where he trains Alexander (James Sloyan) in the arts of becoming a Klingon warrior with the help of a mysterious Klingon friend.
-A couple other episodes that made strong impressions on me this season are “The Pegasus” and “Lower Decks.” In the former, Terry O’ Quinn of Lost fame, appears here as a higher-up from Starfleet to track down the lost USS Pegasus, but Picard (Patrick Stewart) eventually discovers a grand cover-up that has an enticing way of finding the truth of what Quinn’s character is hiding. “Lower Decks” is entirely focused on the background Ensigns and ancillary characters like Nurse Ogawa (Patti Yasutake). The last couple years saw the streaming service, Paramount+ (formerly CBS All Access) launch a Star Trek: Lower Decks animated series with the very same premise, and if you are a fan of the cartoon, you owe it to yourself to track down this episode as its source material.
“Interface” and “Bloodlines” are both strong episodes dealing with long forgotten family members. The former has Geordi (LeVar Burton) risking his life with prototype tech to save his mother (Madge Sinclair), and the latter deals with Picard’s surprise of finding out he had a son (Ken Olandt) from a decades-prior relationship.
-Now to the moment of truth, it is time to cover the final two-part episode, “All Good Things…” The series finale naturally focuses on Jean-Luc as he finds himself constantly time-warping between three different time periods to solve a new challenge bestowed onto him by none other than Q (John de Lancie). I loved how they brought it back full-circle with one of the time periods emanating from the same setting as the original pilot episode of TNG where Q puts the then-newly assembled Enterprise crew on trial. The cast and crew hold nothing back for the final episode with an enthralling narrative as Picard pieces together Q’s final challenge, and has an emotional final scene where after seven seasons, Picard finally joins his crew for a round of poker.
-Here is the paragraph with my obligatory kudos to the countless hours spent remastering TNG in HD for the BluRay set. I am not a video-phile and cannot immaculately explain with the proper tech verbiage on how they did it. All I can say is the staff painstakingly made it look like they shot it today, and it does not have any of the old fuzzy standard definition effects that would happen when forcing an SD resolution onto an HD set. Just watch this indicative video that overlays the remastered HD transfer over the SD version to see for yourself. I will also give yearly props to the podcast, Star Trek: The Next Conversation which chronicles every individual episode of TNG and has served as the best supplementary listening material to get the most out of every episode for me. The podcast took a hiatus during the pandemic, and only recently picked up again and are only a couple episodes into season seven as of this writing, so I will pat myself on the back at catching up to them when I was nearly a season and a half behind them when I started from the beginning of TNG.
-You guys know I love covering the bonus features, and season seven of the BluRay is absolutely jacked with them with previous bonus interviews and specials, and all new HD extras. According to my notes, it all added up for just over five hours of bonus materials, and that is not including a handful of commentary tracks on selected episodes. Going over each and every piece of bonus content will kill me, so instead I will highlight the handful that I got the most out of:
-----Captain’s Tribute (16 min) – Stewart gives loving testimonials to the cast and crew. A lesson he learned from a dialog with Michael Dorn and LeVar Burton was a key takeaway here.
-----In Conversation: Lensing ST: TNG (42 min) - This one is a new HD extra aimed at special effects enthusiasts where a roundtable discussion with camera operators and directors of photography reunite to talk shop of the many highs and lows of on the set production. While a fair amount of trade vernacular went right over my head, they provided ample context and their enthusiasm for their craft is irresistible!
I know it is asking a lot to dive into the many hours of bonus interviews, but nearly most of it is incredibly insightful and well worth your time!
-----Starfleet Moments & Memories (30 min) – Awesome feature showcasing the camaraderie and humor between takes that indicates a true sense of friendship among the cast and crew.
-----Closed Set: Tour of Real Enterprise (11 min) – The Okundas give a private, narrated, tour of the Enterprise filled with fun facts like how the set for sickbay gained a reputation among cast and crew as “nap-bay.” Every person should have their own nap-bay!
-----Journeys End: The Saga of TNG (45 min) – Original 1994 TV special hosted by Jonathan Frakes celebrating the end of an era.
----Sky’s the Limit: Eclipse of TNG (89 min) – Three part special with part one primarily focused on the cast and crew having a lot of projects on their plate the final year and lovingly throwing shade at Picket Fences for stealing their Emmy award! Part two interviews various directors of episodes about their process, and Seth McFarlane shares a special moment he had with a fan on how the show saved their life. The third part interviews a lot of the cast on how they felt the show wrapped, with a couple highlights being Sirtis not being fond of the Worf/Deanna courtship, and Patrick Stewart remarking when asked about future projects that he would consider them, but thought they would ultimately be unnecessary. This was obviously recorded several years before Stewart would return as Picard in the current Paramount+ series, Picard.
-Suffice it to say, the extra features do not disappoint! As I foreshadowed above, there is an apparent dip in quality this season overall compared to the high bar set from seasons three through six, but I will cut the cast and crew some slack since they were seriously overworked during the 1993-94 season. There are still many excellent episodes though as I dissected above, and a terrific series finale that puts the best damn bow they possibly could on the TV series. Thank you so much for joining me on this ride over the past three years and bearing with me on my never-ending entries covering the series. If you missed out on previous entries, click here to see all my previous season recaps of The Next Generation, or click here to continue my journey with TNG crew with my reviews of all the Star Trek motion pictures.
Last year I was alerted that Arrow Video was releasing a special 25th Anniversary BluRay of the 1995 Kevin Smith cult classic, Mallrats (trailer). I was not familiar with Arrow Video before, but after browsing their catalog, it appears they specialize in Criterion-esque special editions and restorations for films that may not receive the prestige critical acclaim the average Criterion release does. I remember seeing the “spot the sailboat” comic book ads for the film around its release but missed it during its brief theatrical run. It was not until catching the TV cut of Mallrats off ABC around 1997/98 that I was first introduced to Kevin Smith’s works.
I already elaborated on my history with Smith’s films in my review for Jay and Silent Bob Reboot last year, so I will not drone on about that again except to say that both Clerks and Mallrats are my two favorite Kevin Smith films. I believe this will be my third time buying it on video. The original collector’s edition DVD received a lot of early buzz from DVD review outlets on how to nail a suite of special features and for having one of the best early DVD commentary tracks. I then upgraded to the 10th Anniversary edition DVD with a bonus extended cut and new anniversary interviews and other bonus content. This BluRay keeps most of the early bonus feature content and adds in a bunch more I will be detailing soon, but for now, I imagine you want to hear about the actual Mallrats movie.
The succinct way to explain it is how Kevin Smith does it in his four-word elevator pitch, “Clerks in a mall.” Essentially it boils down to the film’s two leads, TS (Jeremy London) and Brodie (Jason Lee), getting dumped by their girlfriends Rene (Shannen Doherty) and Brandi (Claire Forlani) in the opening scenes. The duo decides to recover from their sorrows by hitting up their favorite spots in the local mall, where they run into their exes and attempt to win them over with some help from fellow mallrats Jay (Jason Mewes) and Silent Bob (Kevin Smith). Naturally, TS and Brodie have some opposition to overcome to win back their loves in the form of Brandi’s father and local bigshot, Svenning (Michael Rooker), and head mall security guard La Fours (Sven Thorsen).
When I first saw this film on TV around 1997/98, it hit at the perfect time when I was in ninth grade, and I was likely within a few years of the last wave of kids where going to the mall was THE thing to do with friends when you asked: “Hey, want to go and hang out somewhere!?” Mallrats captures the spirit of killing time in the mall with nice little asides debating which food stands are really part of the food court, whining over the latest exhibit clogging up the showcase area of the mall, standing in line for celebrity autographs and gleefully beating up eagerly anticipating the Easter bunny.
When I first experienced the film around age 14, I had no idea what Jay and Silent Bob were talking about with their gratuitous weed jokes. Still, they had a hilarious demeanor about them as they delivered their lines, and they instantly won over 14-year-old Dale. Brodie seemed like the coolest cat with his countless wisecracks throughout the film. Jason Lee and Kevin Smith both went on to say in the bonus interviews that despite the film’s initial theatrical failure, Jason Lee’s performance caught a lot of eyes and opened the door for him to bigger and better roles.
It would behoove me to acknowledge Mallrats has the best of the dozens of Stan Lee movie cameos. It is more of an extended cameo where Lee says more than his usual five-to-ten words of dialog and instead has a full scene with Brodie when he bestows his wisdom of true love to Brodie to motivate him to win over Rene. Lee is legitimately good in the scene, so much so that Marvel Studios had his Mallrats cameo referenced during Lee’s cameo in Captain Marvel.
Arrow Video did a bang-up job packing in a ton of extras in this two-disc BluRay set. There are now three cuts of the film included. The first disc has the original theatrical cut, while the second disc has the extended cut that released with the 10th-anniversary edition and now also includes the TV cut, which is full of a ton of awesomely bad overdubs of expletives. Smith recorded a new introduction to the TV cut highlighted with a fun story of why Mewes’s dubs are so godawful. I would recommend passing on watching the Extended Cut, as it mostly restores the film's original opening, which features a series of longer opening scenes where it takes a while for Brodie and TS to get dumped, and for the movie to eventually find its way into the mall. Instead, I would recommend watching the hour-long archival bonus of the deleted scenes that has Smith and Vincent Pereira explaining why the scenes did not work and have a good time on why they remained on the cutting room floor.
I did make sure to re-watch the original DVD commentary track again with Kevin Smith, Jason Lee, Ben Affleck, Jason Mewes, and Scott Mosier. They are all nonstop entertaining throughout, remembering their time with the film while Fargo was also filming down the street and how Team La Fours fought to get credited in the movie. It is probably up there with UHF being my favorite commentary track, so make sure not to skip over it! New extras for this BluRay are highlighted by a new 12-minute intro from Kevin Smith retelling his highs and lows of the production. My Mallrats Memories is a new 30-minute interview with Smith recollecting his time on the film and how he assembled the cast and crew, and what lead to landing Stan Lee in the movie.
Mr. Mallrats: Tribute to Jim Jacks is Smith’s eulogy to his recently deceased producer on this film, and he gives a loving history of how Jacks went from movie fan to having a successful career in the business. Blunt Talk is a new ten-minute interview with Mewes recounting his early acting career and how he did not consider himself an actor until people started recognizing him from Mallrats. Hollywood of the North is a new ten-minute animated doc with periphery crew members who have many production stories about shooting in the Eden Prairie Center Mall and dealing with complaints from the mall owner. There is a physical blueprint insert which is a perfect recreation of Jay’s blueprints shown in the film of how he plans to take out La Fours. Also new are two hours of raw dailies compiled together. I did not watch it in its entirety because the quality is very raw, like worse than VHS SLP raw, but it was still fun to jump around in bits throughout it and see the cast and crew chatter before and after filming. I didn’t mean to deep dive this much into the bonus materials, but I believe I have covered almost all of the new content, but trust me, there is a lot more bonus archival content from previous DVD releases, so rest assured View Askew fans that there are several hours of extras to sink your teeth into.
Every time I watch Mallrats every several years, I cannot help but get clued in better to some of the jokes and dialog that went right over my initial viewing as a teenager. Thankfully, the film has aged well, and I enjoyed it as much as I initially did in the 90s. I have a good feeling if you’re a View Askew fan or mostly a fan of Smith’s earlier works, then you probably already have this Arrow Video BluRay in your collection. However, for others on the fence wondering if this edition is worth upgrading to, I can safely vouch that Smith and Arrow Video spared no expense to ensure this BluRay is packed to the gills with new (and archival) content to make sure you get your money’s worth!
I am jumping out of order with the third Quentin Tarantino film I am covering here is not QT’s third film, Jackie Brown, but instead for his 2009 alternate take on World War II, Inglourious Basterds (trailer). Click or press here for my article on Reservoir Dogs, and click or press here for my entry on Pulp Fiction. I have owned the BluRay since it first released well over a decade ago, and it is a shame yet another QT gem has sat in my backlog for so long.
This takes place in occupied France with a riveting opening scene where German Col. Hans Landa (Christoph Waltz) conducts an interview with a local dairy farmer which eventually leads to questioning about missing Jews. This being a QT film, the dialog is intentionally drawn out, with Hans pausing the interview for a refreshing glass of milk, and digressing on other tangents before eventually getting to the burning question. Once again, QT absolutely nails the art of conversation like very few of his peers can. Every subtle body language flinch and pivot throughout their verbal exchange is not wasted, and it ultimately pays off with a unforgettable impact to close the scene. If it was almost any other filmmaker, my tolerance would have surely been tested, but there is something to QT’s scripts that without fail have me 100% invested in their surplus of verbiage as much as a climactic action scene in the latest summer blockbuster.
Be prepared for some vintage-QT dialog-heavy scenes...I wouldn't want it any other way from him!
This being a WWII film, one would think it would be safe to presume there is a fair amount of military combat scenes. While there is a significant body count by the end of the film, the firefights are not of the typical Hollywood WWII fare, so do not expect any all-out tanks, war planes, and massive artillery skirmishes. Most of the action that transpires here involves a team of Jewish American soldiers headed up by Lt. Aldo Raine (Brad Pitt). After the absurd fallout from their latest mission in a basement tavern, they receive intel from undercover operative Bridget von Hammersmark (Diane Kruger) that Nazi leadership including Hitler (Martin Wuttke) himself will be at the grand opening of the latest military propaganda film, Nation’s Pride.
There is nearly an hour and a half of bonus material on the BluRay. The standout bonus is a half hour interview with Brad Pitt and QT, conducted by Elvis Mitchell with some highlights of their conversation being how energetic the overall shoot was, and what it was like premiering the film in Germany. Other extra features worth checking out is the full six minute cut of Nation’s Pride, a quick look back with interviews of the cast and crew from the original 1978 Inglorious Bastards, and a pair of interviews with Rod Taylor who has some fun behind-the-scenes stories with QT on how the two have the utmost respect for each other.
Inglourious Basterds did not disappoint with a highly entertaining second viewing where nearly the entire ensemble cast excelled in their performances! For a film that is two and a half hours long, it proved to be a swift viewing after being so engrossed with all the aforementioned dialog-dense scenes. I cannot fairly rank this among QT’s movies as I nearly love them all equally, but it goes without saying if you have made it this far then you know I am giving this the highest of recommendations!
Welcome to my annual WrestleMania-week entry where I recap the previous year’s WrestleMania (WM). Please indulge me for a bit, because the 2020 show had so many unprecedented circumstances going into it that it will require a bit of a prologue before I evaluate the card. For those that remember 2020’s installment of WWE’s biggest PPV of the year, it will be remembered as a WM like no other (hopefully!). For the better part of the latter half of WM history, the event has transpired in mammoth outdoor stadiums and/or sports arenas, oftentimes with inflated attendance numbers of well over 50,000. WWE would spare no expense with elaborate entrance stage sets, live band/artist performances, major celebrity/sports guests, etc.
That all changed with 2020’s WrestleMania 36. WWE was set to roll forward with a pirate-themed WM, with countless pirate-themed ads, signage and a meticulous CG montage of WWE wrestlers decked out in pirate gear, and animated waves splashing against them while doing heroic sword-slashing poses to open the show. However, as we all know by now plans drastically altered, when with under a month before WM36’s original date of April 5th, the worldwide Co-Vid pandemic was declared on March 11th. This promptly shutdown a majority of travel and businesses internationally for the better part of the next two months before businesses and travel restrictions started to ease up, at least here in the United States. No one knew how long the shutdown was going to last, so WWE hastily taped the matches at their Performance Center training facilities, while rumored the tapings lasted up until the final hours before the lockdown went into effect in Florida.
This would mean for the first time in WM history, the even would be taped, and not on a short several hour delay ala Summerslam ‘92, but taped a couple weeks in advance! WWE officials allegedly were warning of severe consequences if spoilers leaked. Upon re-watching this WM36, it is still jaw-dropping to see the show associated with said large sports arenas and near six figures of fans was now emanating in front of ZERO fans in a small black-curtained off area of a training facility. Since the Network-era of WM PPVs in 2014, most of the events have went notoriously long around the six-to-seven hour mark when factoring in a two hour pre-show.
While WWE was marketing yet another loaded 16-match card that would likely last that long, it seemed highly undesirable to force fans to watch that long of a show with zero fan atmosphere so WWE for the first time split WM into two nights on April 4th and 5th. On previous WM recaps here I advocated for two-night WMs because those one night marathons pushed alert limits to new levels, so I was relieved to hear WWE announce the two-night event. Keep in mind this was a few weeks into the pandemic, well before WWE started experimenting with NXT talent as fans for a couple months before eventually settling on the ubiquitous video walls of virtual fans at the Thunderdome that major WWE telecasts currently transpire in.
Usually the yearly WWE Hall of Fame ceremony is included with the BluRay as a bonus feature, but the 2020 ceremony that was slated to happen on WM36 weekend was postponed a year, and transpired earlier this week the same night with the 2021 inductees. Out of sheer habit and self-imposed obligation, I will give a quick breakdown of the 2020 half of the ceremony. It took place at the Thunderdome with Jerry Lawler back hosting, and in order to breeze through so many inductions there was no inductors, and some inductees like the Bellas were told they had a five minute time limit for their speeches. The 2020 Hall of Fame class is the nWo (Hulk Hogan, Scott Hall, Kevin Nash, Sean Waltman), British Bulldog, Jushin Thunder Liger, Nickie & Brie Bella, Justin Bradshaw Layfield, Warrior Award winner Titus ‘O Neil and representing the celebrity wing: William Shatner. Dave Batista was supposed to be inducted too, but he postponed his induction because of a scheduling conflict and wanted to accept in person. It was kind of odd seeing the Hall of Fame done with virtual fans, but WWE did their best with piping in artificial fan noise at appropriately timed references and jokes, and even fake chants when the hall of famers hit their catchphrases.
A nice video recap aired for each inductee, and then most inductees gave roughly five minute speeches. JBL kicked off, and for a five minute speech he hit as many key highlights as he could in that short time allocated, and had a nice closing where he teased a heartfelt apology to locker room rivals. Some inductees like Shatner and Liger could not attend, but sent in brief, pre-recorded acceptance speeches. One inadvertent positive side effect was Liger’s speech was translated through subtitles, and there was no pauses to wait for the translator that would happen if it was done live. Shatner’s breezy speech took a fun jab at Lawler, and was to the point. Between each induction, brief backstage interviews were done with current WWE stars acknowledging how big a night this was for the legends and shared past stories and memories. Davey Boy Smith’s son, Harry, alongside Bulldog’s widow, Diana and Matilda’s granddaughter, Huffy, gave an affectionate induction to his father.
The “Legacy Wing” of the Hall of Fame occurred next, and the 2020 class was represented by Ray Stevens, Brickhouse Brown, “Dr. Death” Steve Williams, Baron Michele Leone and Gary Hart. A very deserving Titus ‘O Neil was recognized with the annual Warrior Award for his countless philanthropic efforts, and Titus gave an inspirational and heartwarming acceptance. The Bellas were expectedly on brand with their speeches, and each of the four nWo members shared some fun Monday Night Wars tales, except for Scott Hall who said only about 20 words. Hogan teased he never lost the nWo Title and that he would make a return to defend it. All told the 2020 portion of the ceremony was about an hour and a half, making it the shortest WWE Hall of Fame ceremony in quite some time!
2020 was undoubtedly a tough year on everyone. Come that WM36 weekend I, like many others, was in a rough place. Being a few weeks into the pandemic I had no idea what to make sense of on the news. I originally had a vacation planned for a week starting a few days before WM where I was going to be travelling out of town for a retro videogame convention I try and hit up most years, and it would have conveniently wrapped up shortly before WM started. As anticipated, the convention was cancelled, and in a crazy coincidence the day before I originally was planning to leave a water pipe burst in my home and my place had all kinds of water damage and furniture moved around for several days before it was all put back into place and cleaned up. Adding to the coincidental timing, night one of WM happened to be on my birthday, and this was early in the pandemic before masks were widely available and a lot of adherence to the lockdown and social distancing was being recommended and I felt gutted when family members wanted to celebrate and all I told them I felt safe doing was briefly visiting a few of them on my driveway. Needless to say, with all that going on my headspace had seen better days, and having WM36 to selfishly fall back on that weekend was a modicum of respite I desperately needed.
Thank you for indulging me with all that prefacing. With that all out of the way, it is time to move onward to looking at night one of WM36. Both nights of WM36 had a half hour kickoff show, with one match on each kickoff show that are included as BluRay bonuses. Night one saw Cesaro and Drew Gulak tear it up in a hard-hitting, five minute technical showcase with Cesaro getting the win with a momentous Airplane Spin. Stephanie McMahon gave a special introduction to the unique circumstances that were forced upon WM36 once the show officially began. I will give props to WWE for their contingency plan when their planned special artist to sing “America the Beautiful” could not make the event, and instead WWE went with a medley/montage of all past WM artists and bands like Little Richard, Aretha Franklin, Boyz 2 Men, Ray Charles and many more singing the anthem that traditionally kicks off WM. From there, four-time Super Bowl winner and host of WM36, Rob Gronkowski welcomed everyone, and his real-life friend and WWE star, Mojo Rawley, joined him in the hosting balcony.
The first official WM36 match was for the Women’s Tag Titles with Asuka & Kari Sayne defending against Alexa Bliss & Nikki Cross. I miss Kari Sayne, and am still in disbelief how WWE wrote her off TV a few months later via implied murder! Kari & Asuka’s foreign taunting and screaming helped fill the void of no crowd noise to an extent, but was not enough for them to retain after Alexa pinned Kari with her Twisted Bliss to win the gold for her and Nikki. Baron Corbin faced Elias who Baron thought would be unable to compete after recently tossing him off a balcony, but Elias made it in time to whack Baron with a guitar, and eventually Corbin’s jawjacking with the ref got the best of him as Elias capitalized with a roll-up for the win in this brief fan favorite arc of his character. Becky Lynch defended the RAW Women’s Title against Shayna Baszler next. Becky was near the end of her red-hot year+ long reign as champ here, but this bout had a peculiar build highlighted by Shayna bloodily biting Becky’s ear. This also-peculiar match saw Becky mostly taking a ground attack beating from Shayna until Becky pulled off a reverse pinning combination for the sudden win.
Sami Zayn defended his Intercontinental Title next against Daniel Bryan. Zayn was accompanied by Cesaro & Shinsuke Nakamura while Bryan was seconded by Drew Gulak. Interference from all three played a factor throughout this intense battle, with a distracted Bryan falling victim to Sami’s Haluva Kick for the victory. The Smackdown Tag Titles were on the line next in a triple threat ladder match, but with only one member from each team due to Miz being quarantined for Co-Vid symptoms. So that meant John Morrison defended the tag titles solo against Kofi Kingston of the New Day and Jimmy Uso. The three did not disappoint with many creative highspots and sequences, with a unique finish that saw all three unhook the tag titles at the same time and Morrison collapsing off the ladder with the titles after a tug-of-war battle with them to successfully retain the titles.
Seth Rollins faced Kevin Owens next, and Owens continued his awesome tradition of paying homage to vintage WM posters, with a nod to WMIV’s poster design on his shirt. Rollins DQ’d himself early in the match after using the ring bell, but Owens goads Rollins into restarting the match with No DQ. This time Owens repeatedly hits Rollins with the bell to lay him out long enough for Owens to climb on top of the WM sign to deliver a Cannonball Splash through the announcer’s table in an eye-opening spot. Owens then dragged a lifeless Seth to the ring to execute a Stunner for the win. A WM host check-in with Mojo and Gronk was interrupted by Hardcore 24/7 champion, R-Truth, who was seeking refuge from all comers up in the host balcony, but instead fell to a gut-punch from Gronk, only to see Mojo sneak in a quick pin and run off from his hosting duties as the new 24/7 champ.
The Universal Title match was up next that was scheduled to have Bill Goldberg defend against Roman Reigns. Several days before the WM tapings however, Roman Reigns shocked everyone by legitimately pulling out of the match due to understandable Co-Vid concerns from having underlying health issues from being a two-time Leukemia survivor. With such short notice, WWE did not have time to build a storyline replacement for last minute substitute, Braun Strowman, and only briefly publicly declared the substitution during a rundown of all the matches the day before on Smackdown. The match was a quick smashmouth flurry of finishers, with Goldberg unable to pin Braun after four straight spears, and instead Braun achieving the pin and Universal title after unleashing four straight powerslams.
The main event for night one of WM36 was the cinematic “Boneyard Match” between AJ Styles and The Undertaker. For those not keeping up with pandemic-era WWE, the first few PPVs of the pandemic saw the inclusion of one or two matches on each PPV shot in the form of a movie, often without commentary and instead ambient music in the background. I embedded the match above (or click or press here to check it out) for those who have not seen it, because if you are a lapsed fan and have not witnessed it yet, the match garnered surprise acclaim from both wrestling and non-wrestling fans. It saw AJ and ‘Taker duke it out in a dilapidated graveyard, complete with Eastwood-esque trash talk, mystical druids, old-school ‘Taker dark magic, Good Brothers, motorcyles and Metallica. It was freaking great, and a much needed distraction from the empty arena. The finish saw ‘Taker big boot AJ into an empty grave, and dump a truckload of dirt on him to gracefully exit the “Boneyard” on his motorcycle with Metallica singing him out. As of this writing, this was Undertaker’s last match, and going by his latest interviews it sounds like he is indeed hanging it up for good this time, especially after WWE threw him a “final farewell” retirement-esque ceremony on the character’s 30th anniversary several months later at Survivor Series.
Still with me for night two coverage of WM36? Take a break, grab a Steve-weiser, and relax for my night two coverage! The kickoff match saw Liv Morgan usurp Natalya with a reverse roll-up after a solid back-and-forth match. Night two officially started with Rhea Ripley defending the NXT Women’s Title against Charlotte Flair. Sorry to report that I am not a big fan of either of these two, and this match did not sit well with me either as it was mostly Flair working over Rhea’s leg until she locked in the Figure-Eight for the tapout win. Charlotte’s NXT title run wound up being a disaster, and she did not put over anyone while she was champ there. Onto better things as Aleister Black and Bobby Lashley squared off next. I completely forgot Lashley was married to Lana at this point in his character, but that would change soon after this as Lana urged Lashley to switch up finishing moves on Black, which backfired and saw Aleister connect with his Black Mass finisher for the pin. Next up saw Dolph Ziggler face Otis in the apex of a meticulous storyline where Otis fell victim to Dolph’s treachery when trying to win the heart of Mandy Rose. Mandy’s former friend Sonya Deville was assisting Dolph throughout the match until Mandy ran out to take care of her, which set up Otis to hit his outrageous Caterpillar finish for the win, and the happy uniting with Rose which tried its darnd-est to be on the same level with Randy Savage and Elizabeth from WMVII.
The next match was Edge’s big return singles match against Randy Orton after coming back at the Royal Rumble a couple months earlier. The buildup to this bout was impressive too, with Edge, Orton and Beth Phoenix all having emotional and investing promos leading up to this. This was a Last Man Standing match that saw the two battle all over the Performance Center throughout the backstage area, offices, training facilities and parking areas before reaching its final act on top of a semi where the two traded finishing moves until Edge hit a con-chair-toe for the 10-count win. The match held up much better on second viewing, and is best to watch it on its own as it lasted nearly 40 minutes. Shortly after this, Mojo Rawley re-emerged into the ringside area fending off 24/7 Title pursuers. Gronk took this moment upon himself to leap onto the pile of wrestlers from the host balcony and pin Mojo to win the 24/7 Title, a belt he would hold for a couple months until shortly after un-retiring from football where a sneaky R-Truth would roll-up Gronk for the title in his yard while filming a Tik-Toc video….seriously.
Titus ‘O Neil would shortly arrive later to wrap-up hosting duties for Gronk for the remainder of the show. The RAW Tag Titles were on the line next with the Street Profits defending against Angel Garza and Austin Theory, who was a last minute sub for an injured Andrade. This was a quick five minute recharge bout, with the four competitors all staying in third gear throughout it for a non-stop action affair. Angelo Dawkins pinned Theory after a surprise splash from Montez Ford. The Smackdown Women’s Title 5-Way Elimination match followed with Bayley defending against Lacey Evans, Sasha Banks, Tamina and Naomi. Sasha and Bayley team up for a lot of early success, until their teamwork fails and Sasha falls victim to Lacey’s Women’s Right leaving it down to Lacey and Bayley. Right when it looks like Lacey has Bayley’s number, Sasha returned with a Backstabber on Lacey, which allowed Bayley to follow that up by driving Lacey down to the mat for the win.
The cinematic match of the second night was a “Firefly Funhouse” bout between “The Fiend” Bray Wyatt and John Cena. I have no idea where to begin describing this one. Essentially, Bray Wyatt suffers from multiple-personality disorder, and in this match Cena journeys to Wyatt’s multi-dimensional funhouse. It is filled with decades of pro-wrestling references that sees Cena and Wyatt cut Saturday Night’s Main Event-era promos on each other, join the nWo and relive Cena’s debut against Kurt Angle. I swear I am up not making any of this up! Just check out the embed above or click or press here to see for yourself! This cinematic match did not quite measure up to the Boneyard match, but was still an entertaining spectacle to experience with the deluge of references and callbacks to wrestling history. Eventually “The Fiend” pinned Cena with his Mandible Claw (while Bray Wyatt counted the pin, just roll with it), and the live feed then cut to a confused Titus ‘O Neil proclaiming what we all were thinking “I have no idea what we just saw.”
The main event of night two saw Brock Lesnar defending the WWE Title against Drew McIntyre. This was built up as Drew’s big redemption story after being fired from WWE several years earlier, and it taking him 16 years to win his first major championship. It was too bad it all played out in the empty performance center, but the duo made the best of it with another instant hard hitting affair similar to the Braun/Goldberg match. After a little bit of early brawling, Brock hit three F5s which Drew all kicked out of, and then Drew countered with three straight Claymore kicks to be crowned the WWE champion for the feel-good closing of the show. What aired on RAW the next night, but actually transpired about 20 minutes after the Brock match and is on here as a BluRay bonus feature is Drew coming back to the ring for a victory interview only to be interrupted and challenged for the title by Big Show. Drew accepts the challenge, and after taking a pounding from Big Show for several minutes, Drew recovers and fires back with a Claymore for his first successful title defense. Drew has went on to be “the guy” for RAW for the better part of the next year, and while it feels he has been fulfilling that role, it is impossible to tell without a live, paying, audience, and I am curious to see how Drew is received at WM37 this weekend against Lashley.
The WM35 BluRay had the 2019 Hall of Fame as a digital bonus feature, and on the disc it had the entirety of the next night’s RAW, and a couple segments from the next Smackdown. The WM36 BluRay went down a different road with its bonus features, and aside from the two bonus kickoff matches and the post-WM Drew/Big Show match, there is about two hours of accumulated interviews, promos and segments from the previous two months of RAW, Smackdown and NXT. I watched them all, and it was a nice refresher of all the rivalries, although awkward at the same time, because about half of the segments still have fans in the arena which felt weird to see again after so long with empty/virtual arenas. Some highlights include a couple vintage Paul Heyman hype promos, AJ Styles and the Goodbrothers messing with Undertaker, the awful Rhea Ripley/Charlotte Flair interactions from NXT and Randy Orton’s epic must-see promo on Beth Phoenix for why he attacked Edge.
It would be unfair of me to give a traditional yay/nay grade to WrestleMania 36 due to how the event barely came together at the final hour in the early stages of the pandemic. Seeing a lot of these matches in the empty Performance Center simply feels weird, and proved constantly difficult to suspend disbelief and get into the pro-wrestling fan mindset during viewing. The two cinematic matches are what essentially helped get me back into “fan mode” and get invested in the unique nature of those two bouts, and if you have to watch two matches from this show, then those two are the way to go. The two “slobberknocker” world title brawls are also quick, intense matches that are worth checking out. Once again, I love the two-night concept as it serves as a perfect break point for watching at home, and I am thankful WWE is doing that again for this year’s WM. All things told, this will go down as a historical achievement that WWE managed to put this together, and probably worth one day going back to watching to see how far we have come from those early dark days of the pandemic before we knew what the next eventful year had in store for everyone.
